\header
{
%	title = "WeShallOvercome.ly" %%
	#(set-default-paper-size "a4" ) % 'landscape )
}
% consider documentation 7.3.7.1 Lyrics to multiple notes of a melisma
\include "LieblingsLiederStandard.include.ly"

vvBreak = {\pagebreak}
%vvBreak = {\break}
vvBreak = {}


% M - Melodie  
% P - Pause
% C - Chords
% T - Text
% U - Umbruch
% B - Bass

%Mbar = { \bar ":"}

MstropheA = 
{
}

Mstrophe = 
{
		\repeat volta 2
		{
			g4 g a a	g4.^( f8 e2)		%	We shall o -- ver -- come
			%	we shall o -- ver -- come
		}
		g4 g a b	c2 d	b^( a8 b4 a8	g2)		%	we shall o -- ver -- come some day!
		%
	\Mbar	a4^( b)	c2 <b \parenthesize c>4 a	g1		%	Oh deep in my heart
		a2 g4 f	e2.		%	I do be -- lieve 
	\Mbar	f4	g g c, f	e2 d	c1^~c		%	that we shall o -- ver -- come some day!
}


Mall = \relative c''
{ 
	\Mintro
	\Mstrophe
	\Mrefrain 
	\Mbridge
	\Moutro
}
TersteStrophe = \lyricmode
{
	We shall o -- ver -- come __
%	we shall o -- ver -- come
	we shall o -- ver -- come some day! __

	Oh __ deep in my heart
	I do be -- lieve that
	we shall o -- ver -- come some day! __
}
TzweiteStrophe = \lyricmode
{
}
TdritteStrophe = \lyricmode
{
}
TvierteStrophe = \lyricmode
{
}
TfuenfteStrophe = \lyricmode
{
}
TsechsteStrophe = \lyricmode
{
}
Tbridge = \lyricmode
{	
}
Toutro = \lyricmode
{
}

Cintro = \chordmode
{
}

CstropheA = \chordmode
{
}

Cstrophe = \chordmode
{
	c2 f c a:m		%	We shall o -- ver -- come
				%	we shall o -- ver -- come
	c f4 g a2:m d:m g g g:7 g:7 		%	we shall o -- ver -- come some day!

	f f c c			%	Oh deep in my heart
	f g4 g:7 a2:m a:m	%	I do be -- lieve that
	c f c g:7 c f c 
	\once \override ParenthesesItem #'font-size = #2 % ungetestet !
	\parenthesize g:7	%	we shall o -- ver -- come some day!
}
Crefrain = \chordmode
{
}

Cbridge = \chordmode
{
}

Call      = \chordmode 
{ 
	\Cintro
	\Cstrophe	
	\Crefrain
	\Cbridge
	\Coutro
}


Uall = % ACHTUNG: Darauf achten, dass an den vorgesehenen Bruchstellen auch wirklich Taktstriche sind, eventuell \bar "" einfuegen!
       % ACHTUNG: \skip 1 ueberspringt 4/4, NICHT einen ganzen Takt! Bei 3/4- oder 6/8-Takt also \skip 2.*x !
{
	\skip 1*6	\vvBreak	%	7
}


\score
{
	\transpose c a,		%% 
	{
		<<
			\new ChordNames 
			{
				\set majorSevenSymbol = \markup { "7#" }
				\set chordChanges = ##t
				\semiGermanChords		%      \germanChords
				\Call
			}
			\new Staff
			<<
				\override Score.PaperColumn #'keep-inside-line = ##t
				\once \override Score.MetronomeMark #'extra-offset = #'( +3.2 . -3.5 )
				\tempo 4 = 70
 				\time 4/4
				\key c \major
				#(set-accidental-style 'modern-cautionary) % loest die Versetzungszeichen im naechsten Takt auf (andere Werte: 'voice 'default  'modern
				\new Voice = "one" \with { \consists Ambitus_engraver } 
				{
					\autoBeamOff 
					\Mall
					\bar "|."
					\pageBreak
					\skip 1*3
				}
				\new Voice
				{
					\Uall
				}

			>>
			\new Lyrics \lyricsto "one" 
			{
				\set stanza = "1." 
				\TersteStrophe
				\Tbridge
			}
			\new Lyrics \lyricsto "one" 
			{
				\set stanza = "2." 
				\TzweiteStrophe
			}
			\new Lyrics \lyricsto "one" 
			{
				\set stanza = "3." 
				\TdritteStrophe
			}
			\new Lyrics \lyricsto "one" 
			{
				\set stanza = "4." 
				\TvierteStrophe
			}
			\new Lyrics \lyricsto "one" 
			{
				\set stanza = "5." 
				\TfuenfteStrophe
			}
			\new Lyrics \lyricsto "one" 
			{
				\set stanza = "6." 
				\TsechsteStrophe
			}
		>>
	} % \transpose
	\layout 
	{ 
		indent = 0.0\mm 
		\context 
		{
			\Staff
			\override VerticalAxisGroup #'minimum-Y-extent = ##f
			\override VerticalAxisGroup #'minimum-Y-extent = #'( -0.0 . +0.0 )
			\override VerticalAxisGroup #'Y-extent = #'( -11 . 0 )
		} % \context
	} % \layout
	\midi{}
} % \score
\paper 
{ 
	system-count = #3
} % \paper
\version "2.11.61"  % necessary for upgrading to future LilyPond versions.