% This document was generated by Canorus, version 0.7svn.R1149 \version "2.12.2" \header { title = \markup {"Madonna mia pieta"} subtitle = \markup {""} composer = \markup {"Orlando di Lasso (1532–1594)"} arranger = \markup {""} poet = \markup {""} texttranslator = \markup {""} dedication = \markup {""} copyright = \markup {""} } #(set-global-staff-size 19) % Sopran ContextZeroVoiceZero = \relative c' { \clef "treble" \key f \major \time 2/2 \repeat volta 2 { e2 e4 e | % bar 1 g g fis2 | % bar 2 r4 f g a | % bar 3 g g f4.( g8 | % bar 4 a4) bes g g2 % bar 5 fis4 g2 | } % bar 6 \alternative { { r } % bar 7 { d e4 e } } f2. f4 f~ f c c'2 a4 a2 fis fis g1 fis2 r4 f! bes2. a4 g g2 fis4 g f bes2. a4 bes c d2 b r4 a % bar 8 \repeat volta 2 { a g a a fis2 fis4 a a c c c d2 d4 d d c c d g,2 g4 d e( g2 fis4) } \alternative { { g2 r4 a } % bar 9 { g1 \bar "|." } } % bar 10 } % TextSopran TextSopran = \lyricmode { Ma -- don -- na mia pie -- tà, Ma -- don -- na mia pie -- tà __ _ _ chiam et a -- i -- ta, ch'io mo -- ro~e -- sten -- to~a tor -- _ to~e pur vo -- le -- te io gri -- do, io gri do~e nol sen -- te -- te io gri -- do~e nol sen -- te -- te, ac -- qua ma -- don -- na~al fo -- co, ac -- qua ma don -- na~al fo -- co ch'io mi sen -- to mo -- ri -- re a po -- _ _ co, ac -- co. } % TextSopranStr2 TextSopranStrTwo = \lyricmode { Di chie -- der vi -- mer -- cè, di chie -- der vi -- mer -- cè __ _ _ son qua -- si ro co, sol del -- la pe -- na mi -- a pren -- de -- te gio -- co. Pur gri -- do, pur gri -- do~in og -- ni lo -- co, pur gri -- do~in og -- ni lo -- co, _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ } % Alt ContextThreeVoiceZero = \relative c' { \clef "treble" \key f \major \time 2/2 \repeat volta 2 { c2 c4 c | % bar 1 d d d2 | % bar 2 r4 d e f | % bar 3 d d d2 | % bar 4 f es4 es | % bar 5 d2 d | } % bar 6 \alternative { { r } % bar 7 { b c } } c d4 d c c f2 e4 d2( cis4) d2 d d1 d2 r4 d f2. f4 d c d2 d4 d f2 f4 f d g2( fis4) g d f f \bar "|:" % bar 8 \repeat volta 2 { e d e2 d4 a d e f f e2 d4 g2 fis4 g2 f4 f es2 d4 bes c c d2 } \alternative { { d4 d f f } % bar 9 { d1 \bar "|." } } % bar 10 } % TextAlt TextAlt = \lyricmode { Ma -- don -- na mia pie -- tà, Ma -- don -- na mia pie -- tà chiam et a -- i -- ta, ch'io mo -- ro~e -- sten -- to~a tor -- to~e pur vo -- le -- _ te io gri -- do, io gri do~e nol sen -- te -- te io gri -- do~e nol sen -- te -- _ te, ac -- qua ma -- don -- na~al fo -- co, ac -- qua ma don -- na~al fo -- co ch'io mi sen -- to mo -- ri -- re a poc' a po -- co, ac -- qua ma -- co. } % TextAltStr2 TextAltStrTwo = \lyricmode { Di chie -- der vi -- mer -- cè, di chie -- der vi -- mer -- cè son qua -- si ro co, sol del -- la pe -- na mi -- a pren -- de -- te gio -- co. Pur gri -- do, pur gri -- do~in og -- ni lo -- co, pur gri -- do~in og -- ni lo -- _ co, _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ } % Tenor ContextSixVoiceZero = \relative c' { \clef "treble_8" \key f \major \time 2/2 \repeat volta 2 { g2 g4 g | % bar 1 bes bes a2 | % bar 2 r4 a c c | % bar 3 bes bes a2 | % bar 4 d bes4 c | % bar 5 a2 g | } % bar 6 \alternative { { r } % bar 7 { r2. } } g4 a a bes bes a2~ a4 a g f e2 d a' bes1 a2 r4 a d2. c4 bes g a2 g4 a d2. c4 bes g a2 g r \bar "|:" % bar 8 \repeat volta 2 { r4 d' d cis d d a2 a r4 g bes2 a4 a bes g a bes c2 bes4 g g g a2 } \alternative { { g r } % bar 9 { b1 \bar "|." } } % bar 10 } % TextTenor TextTenor = \lyricmode { Ma -- don -- na mia pie -- tà, Ma -- don -- na mia pie -- tà chiam et a -- i -- ta, ch'io mo -- ro~e -- sten -- to~a tor -- _ to~e pur vo -- le -- te io gri -- do, io gri do~e nol sen -- te -- te io gri -- do~e nol sen -- te -- te, ac -- qua ma -- don -- na~al fo -- co, al fo -- co ch'io mi sen -- to mo -- ri -- re a poc' a po -- co, co. } % TextTenorStr2 TextTenorStrTwo = \lyricmode { Di chie -- der vi -- mer -- cè, di chie -- der vi -- mer -- cè son qua -- si ro co, sol del -- la pe -- na mi -- a pren -- de -- te gio -- co. Pur gri -- do, pur gri -- do~in og -- ni lo -- co, pur gri -- do~in og -- ni lo -- co, _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ } % Bass ContextNineVoiceZero = \relative c { \clef "bass" \key f \major \time 2/2 \repeat volta 2 { c2 c4 c | % bar 1 g g' d2 | % bar 2 r4 d c f | % bar 3 g g, d'2 | % bar 4 d es4 c | % bar 5 d2 g, | } % bar 6 \alternative { { r } % bar 7 { g' c, } } f bes,4 bes f'~ f f2 c4 d a2 d d g1 d2 r4 d bes2. f'4 g es d2 g,4 d' bes2. f'4 g es d2 g,4 g' f d \bar "|:" % bar 8 \repeat volta 2 { a' bes a2 d,4 d d cis d a c2 g d' g4 e f d c2 g4 g c es d2 } \alternative { { g,4 g' f d } % bar 9 { g,1 \bar "|." } } % bar 10 } % TextBass TextBass = \lyricmode { Ma -- don -- na mia pie -- tà, Ma -- don -- na mia pie -- tà chiam et a -- i -- ta, ch'io mo -- ro~e -- sten -- to~a tor -- _ to~e pur vo -- le -- te io gri -- do, io gri do~e nol sen -- te -- te io gri -- do~e nol sen -- te -- te, ac -- qua ma -- don -- na~al fo -- co, ac -- qua ma don -- na~al fo -- co ch'io mi sen -- to mo -- ri -- re a poc' a po -- co, ac -- qua ma -- co. } % TextBassStr2 TextBassStrTwo = \lyricmode { Di chie -- der vi -- mer -- cè, di chie -- der vi -- mer -- cè son qua -- si ro co, sol del -- la pe -- na mi -- a pren -- de -- te gio -- co. Pur gri -- do, pur gri -- do~in og -- ni lo -- co, pur gri -- do~in og -- ni lo -- co, _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ } \score { \new StaffGroup << \new Staff { % Sopran \new Voice = "ContextZeroVoiceZeroVirtual" { \ContextZeroVoiceZero } } % TextSopran \new Lyrics = "TextSopranVirtual" % TextSopranStr2 \new Lyrics = "TextSopranStrTwoVirtual" \new Staff { % Alt \new Voice = "ContextThreeVoiceZeroVirtual" { \ContextThreeVoiceZero } } % TextAlt \new Lyrics = "TextAltVirtual" % TextAltStr2 \new Lyrics = "TextAltStrTwoVirtual" \new Staff { % Tenor \new Voice = "ContextSixVoiceZeroVirtual" { \ContextSixVoiceZero } } % TextTenor \new Lyrics = "TextTenorVirtual" % TextTenorStr2 \new Lyrics = "TextTenorStrTwoVirtual" \new Staff { % Bass \new Voice = "ContextNineVoiceZeroVirtual" { \ContextNineVoiceZero } } % TextBass \new Lyrics = "TextBassVirtual" % TextBassStr2 \new Lyrics = "TextBassStrTwoVirtual" % Voice assignment: \set Score.melismaBusyProperties = #'() \context Lyrics = "TextSopranVirtual" { \lyricsto "ContextZeroVoiceZeroVirtual" \TextSopran } \context Lyrics = "TextSopranStrTwoVirtual" { \lyricsto "ContextZeroVoiceZeroVirtual" \TextSopranStrTwo } \context Lyrics = "TextAltVirtual" { \lyricsto "ContextThreeVoiceZeroVirtual" \TextAlt } \context Lyrics = "TextAltStrTwoVirtual" { \lyricsto "ContextThreeVoiceZeroVirtual" \TextAltStrTwo } \context Lyrics = "TextTenorVirtual" { \lyricsto "ContextSixVoiceZeroVirtual" \TextTenor } \context Lyrics = "TextTenorStrTwoVirtual" { \lyricsto "ContextSixVoiceZeroVirtual" \TextTenorStrTwo } \context Lyrics = "TextBassVirtual" { \lyricsto "ContextNineVoiceZeroVirtual" \TextBass } \context Lyrics = "TextBassStrTwoVirtual" { \lyricsto "ContextNineVoiceZeroVirtual" \TextBassStrTwo } >> \layout { \context { \Score %% no bar lines in staves or lyrics \override BarLine #'transparent = ##t } %% the next two instructions keep the lyrics between the bar lines \context { \Lyrics \consists "Bar_engraver" \consists "Separating_line_group_engraver" } \context { \Voice %% no slurs \override Slur #'transparent = ##t %% Comment in the below "\remove" command to allow line %% breaking also at those bar lines where a note overlaps %% into the next measure. The command is commented out in this %% short example score, but especially for large scores, you %% will typically yield better line breaking and thus improve %% overall spacing if you comment in the following command. %%\remove "Forbid_line_break_engraver" } } } % To adjust the points size of notes and fonts, it can be done like this: % #(set-global-staff-size 16.0) % Some examples to adjust the page size: % \paper { #(set-paper-size "a3") } % \paper { #(set-paper-size "a4" 'landscape) } % But to move the music on the page this needs to be done: % \paper{ % paper-width = 16\cm % line-width = 12\cm % left-margin = 2\cm % top-margin = 3\cm % bottom-margin = 3\cm % ragged-last-bottom = ##t % }